MARIE JULIA BOLLANSÉE
MARIE JULIA
BOLLANSÉE

FUJI

videoperformance, 2020
1’30”
‘to the Absent Audience’
photograph, 2021

with tree bark from Aokigahara Forest
iron frame, blue tarpaulin, white and red bodypaint
AIR 3331/ 3331 Arts Chiyoda, providing residence to the artist in Japan (October 2019)
Marie Julia Bollansee, concept, performance, camera, bodypaint, edit, sound, photograph
Sayuri FUJII, road compagnion

The day we abode in Mount Fuji’s vicinity the mountain was hidden in clouds and mists, but tangibly present. Sayuri and I made a walk in Aokigahara Jukai, the huge forest at its foot. Autumn just began and the forest was recovering after the passing of typhoon Hagibis 19. I picked these bark slices from a tree fallen down on the lava soil and carried them home.
‘Mina na ro u’ what means ‘3776 metres high is Mount Fuji’, Sayuri knows this by heart since she was a schoolgirl. With her classgroup she traveled to Mount Fuji. From a basecamp at one of the five lakes they made walks around the foot of the volcano. Experiencing Mount Fuji is an indispensible part of Japanese children’s education. Parents believe that their children need the blessing of the Holy Mountain for a prosperous life to come.
This winter, observations of people living around Mount Fuji hit the (Japanese) news. The snow that normally caps the top in winter is different this year; it is much less and the snow slides down on one side. People wonder what’s happening… Is this due to global warming? Or is the sleeping volcano waking up after more than 300 years?

|